2023.11.16
New 2023 campaign
The 2023 campaign was photographed in a contemporary interpretation of the ancient Roman ‘Domus', bringing to life the architectural concept that inspired the collection.
2018.05.31
Molteni&C reissues Gio Ponti’s table designed for the Time&Life auditorium
The D.859.1 table, designed primarily as a meeting table for up to ten people, stands out among the auditorium furnishings for its simple yet refined designed.
In 1959, Gio Ponti was enlisted to design the auditorium for the Time&Life Building at 1271 Avenue of the Americas in New York. The building housed the headquarters of Time Inc, publisher of influential magazines suchas Time, Life, Fortune, People and Sports Illustrated – the cream of American publishing. This was Ponti’s most prestigious project in New York.
The Time&Life Building by architecture firm Harrison, Abramovitz & Harriswas the first expansion west of the Avenue of the Americas of the Rockefeller Center, a masterpiece of American art deco designed by Raymond Hood in the 1930s.The client for the project was again Nelson Rockefeller, who wielded a jackhammer to begin excavations in 1957. The building was erected in record time and inaugurated in December 1959. The event featured an appearance by Marilyn Monroe, who posed for photographers and got the building off to a glorious start.
The main tower, 179m tall with 48 stories of glass and steel, is arguably Harrison, Abramovitz & Harris’s most beautiful work for its simplicity and the harmonious proportions between the glass and the structural steel members.
The auditorium is an independent structure situated on a terrace on the eighth floor of the building by architects Harrison, Abramowitz and Harris. It is a diamond-shaped, crystalline volume, echoing the drawings decorating thecover of Ponti’s 1957 book Amate l’architettura. Currently disused while the entire building undergoes remodeling work, the auditorium is not part of the skyscraper’s architecture per se, but Ponti’s artfully crafted exterior makes it an excellent complement. Seen from above, the auditorium harmonises with the ceramic pavement of the terrace, blending into a pattern of large blue-white, blue-gray and black triangles.
Ponti designed the entire auditorium, including the interior and the furnishings. An ingenious system of mobile partitions with brightly coloured geometric patterns makes it possible to divide the auditorium into smaller spaces that can be used as reception areas, lounges or dining rooms. Some furnishings are built-in, such as desks, tables, benches and some bookcases, while others are mobile to maximise flexibility of use of the spaces. The furnishings include folding chairs and tables, objects with intriguing geometric forms, wall and ceiling lamps, and linoleum floors like those used in the Pirelli Building in Milan – all creating a strongly modern setting.
The D.859.1 table, designed primarily as a meeting table for up to ten people, stands out among the auditorium furnishings not only for its impressive size – over3.6m long – but for its simple yet refined designed. The legs are notable for their fine-membered modernity, creating a trapezoidal single-span bridge upon which the large tapered top conveys the idea of aerodynamics. Originally made of solid ash with bronze ferrules, it is now also available in a darker-toned wood such as ebonised ash. In addition to its original dimensions, the D.859.1 is available in two smaller versions that faithfully reproduce the harmony and proportions of the original design.
“Four distinct themes are interwoven in this building: the synthesis of the arts; the interplay of magnitudes in the juxtaposition of a small, almost homey space with the colossal bulk of the skyscraper; the representational and communicative function of the architecture and design; and lastly, the bond with advertising and the capital.”
Daniel Sherer, “Gio Ponti a New York”, in Espressioni di Gio Ponti, cataloguefor the exhibition, Triennale di Milano, 2011
